Santa Fe Opera dramaturg Cori Ellison talks about this summer’s operas–history, production, themes–including a world premiere.
She was born in France where she started her film career in the late 1800s, then moved to the US. She made hundreds of films, earned the respect of audiences and colleagues alike — and then was written out of film history. We talk to Pamela Green about her new documentary on Guy-Blaché.
Assistance dogs have changed the lives of innumerable people with disabilities. We talk to filmmakerHeddy Honigmann about her film Buddy, and to Jill Felice of Assistance Dogs of the West.
Salvatore Scibona‘s novel, The Volunteer, is an exquisitely observed and crafted novel that tells the stories of the people and events leading up to a crime in which a little boy is left alone in an airport, speaking a language that nobody understands.
We listen to six Santa Fe poets talk about poetry, love, and writing, and they each share some of their poems with us.
… what could use improvement? Eric Witt, director of the Santa Fe Film Office, leads us through the intricacies of what makes a film incentive program work for a state, and how New Mexico’s economic development could be optimized in the film and media space.
We talk to Ana Pacheco about her new book, Pueblos of New Mexico, and to three local writers about a new literary space called The Living Room.
In its fourth decade, the Santa Fe Desert Chorale is composed of some of the finest singers in the US. They’re doing three programs in Santa Fe this summer, which we discuss with artistic director, Josh Haberman
World-renowned director wrote the libretto for Dr. Atomic over a decade ago. But this year is the first time it’s being performed in New Mexico, at the Santa Fe Opera — in plain sight of Los Alamos, where the nuclear bomb was invented.
Stuart Ashman and Jason Silverman of the Center for Contemporary Arts talk about saving The Screen movie theater and the power of the arts for people of all ages.